13,197 Free Images of Colored By Hand

yale center for british arthand-coloredetchings in the yale center for british artetchingaquatint prints in the yale center for british artaquatintjames gillrayhand-colored etchingisaac cruikshankromanticism
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Cupid and Cephisa: "One Day as I was Walking in the Woods...", Thomas Burke, 1789
etchings in the yale center for british artthomas burke (artist)
His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board, Louis Haghe, circa 1840
lithograph prints in the yale center for british artlouis haghe
A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles, Isaac Robert Cruikshank, 1824
etchings in the yale center for british artisaac robert cruikshank
Finding things not exactly what he expected - Plate 2, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
America a Prophecy copy a plate 17, William Blake
media from the william blake archiveromanticism,fairy painting
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Corporation Hogs Journey to Smithfield in Stile, or Aldermen turned Pig Show Men, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
British Servants, with Honesty and Fidelity - Against French Servants, with Perfidy and Impudence! (Four vignettes), Richard Newton, 1795
etchings in the yale center for british artrichard newton
Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest, James Pollard, 1820
aquatint prints in the yale center for british artjames pollard
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar, James Gillray, 1792
etchings in the yale center for british artjames gillray
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes., James Gillray, 1791
etchings in the yale center for british artjames gillray
Racing [set of four]: The High Mettled Racer. 4. The Cart-horse, John Hassell, 1789
aquatint prints in the yale center for british artjohn hassell (artist)
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton, James Gillray, 1795
etchings in the yale center for british artjames gillray
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1794
etchings in the yale center for british artjames gillray
The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Racing [set of four]: The High Mettled Racer. 2. The Hunter, John Hassell, 1789
aquatint prints in the yale center for british artjohn hassell (artist)
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Druming Out. Or Making an Example of a Mutineer, William Heath, circa 1827
etchings in the yale center for british artwilliam heath (artist)
The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3), Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Pistol eating Fluellen's Leak - "Henry V", Henry Bunbury, between 1811 and 1815
etchings in the yale center for british arthenry william bunbury
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar, James Gillray, 1797
etchings in the yale center for british artjames gillray
Proteuse/y 2D in Sev'ral Among his Many Publick Characters, James Gillray, 1784
etchings in the yale center for british artjames gillray
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Lord Howe they run, or the British Tars giving the Carmignols a Dressing on Memorable 1st of June 1794, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-., James Gillray, 1791
etchings in the yale center for british artjames gillray
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John, James Gillray, 1782
etchings in the yale center for british artjames gillray
Borders for Rooms, Plate 4, Thomas Rowlandson, 1 April 1799
satirical art worksromanticism
A Mistake at New Market, or Sport and Piety, Thomas Rowlandson, 5 October 1807
satirical art worksromanticism
Tour de Remy, Dieppe, Thomas Shotter Boys, 1839
prints in the metropolitan museum of artthomas shotter boys
America a Prophecy copy a plate 10, William Blake
media from the william blake archiveromanticism,fairy painting
Plate 6: The Ale-House Door, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
America a Prophecy copy a plate 16, William Blake
media from the william blake archiveromanticism,fairy painting
America a Prophecy copy a plate 07, William Blake
media from the william blake archiveromanticism,fairy painting
America a Prophecy copy a plate 15, William Blake
media from the william blake archiveromanticism,fairy painting
A Charm for a Democracy, Reviewed, Analysed and Destroyed January 11th, 1799 to the Confusion of its Affiliated Friends, Thomas Rowlandson
etchings in the yale center for british artromanticism
Hunting, Shooting, etc. [set of six]: 3. "Throw the board ditch behind you", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight", James Gillray, 1798
aquatint prints in the yale center for british artjames gillray
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing, James Gillray, 1797
etchings in the yale center for british artjames gillray
Sketch of Politics in Europe, January 24, 1786 - Birthday of the King of Prussia---, Thomas Rowlandson, circa 1786
etchings in the yale center for british artromanticism
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests, James Gillray, 1798
etchings in the yale center for british artjames gillray
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
The Great Swallow All!!! Disgorging, or French Bullie too Hot for the Bears Stomach, John Cawse, 1799
etchings in the yale center for british artjohn cawse
The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Hunting, Shooting, etc. [four of a set of six, untitled]: 1.Going out of Kennel, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833
aquatint prints in the yale center for british artedward duncan
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1793
etchings in the yale center for british artjames gillray
Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2), James Gillray, 1792
etchings in the yale center for british artjames gillray
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service, James Gillray, 1791
etchings in the yale center for british artjames gillray
Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799
etchings in the yale center for british artjohn cawse
La Rose mal defendue (The Poorly Defended Rose), Philibert-Louis Debucourt, in or after 1791
prints in the national gallery of art (washington, d.c.)works after philibert-louis debucourt
Protection, A Hen and Chickens of an Extraordinary Game Breed, Not to be Found in any work on Ornithology (from: Caricature, vol. 6), John Doyle, 1846
lithograph prints in the yale center for british artjohn doyle
'Tis not Antiques Alone can Please the Eye, or Tastes Differ, Thomas Rowlandson, 20 November 1786
1786 cartoonsromanticism
The Pauper Family and Footman. A Steam Packet Cabin., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
The Charity-Children in the Strand on the 7th July 1713 at a Public Procession of Thanksgiving for Peace en route to St. Paul's Cathedral, George Vertue, 1715
engravings in the yale center for british artpaintings by george vertue
Hunting [two of a set of twelve]: 9. [A rider clearing a gate], Thomas Burford, 1752
mezzotint prints in the yale center for british artthomas burford
Set of seven: The Seven Ages of the Horse, Henry Thomas Alken, 1825
etchings in the yale center for british arthenry thomas alken
The Publican's Prayer, George Murgatroyd Woodward, 20 September 1801
edward spragg (publisher)george moutard woodward
Horses [set of six]: 3. Hunter, Henry Thomas Alken, 1826
etchings in the yale center for british arthenry thomas alken
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day), James Gillray, 1783
etchings in the yale center for british artjames gillray
Houses lately standing on the North Side of Long Land, Smithfield, John Thomas Smith, 1813
etchings in the yale center for british artjohn thomas smith (1766-1833)
The Dog Carrying His Master's Supper, Martin Marvie, published 1756
etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry
Set of seven: The Seven Ages of the Horse, Henry Thomas Alken, 1825
etchings in the yale center for british arthenry thomas alken
Set of seven: The Seven Ages of the Horse, Henry Thomas Alken, 1825
etchings in the yale center for british arthenry thomas alken
[Set of four] Sporting in the Scottish Isles: No. I. Grouse Shooting, William Heath, 1835
lithograph prints in the yale center for british artwilliam heath (artist)
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb, Jacob Schnebbelie, 1791
engravings in the yale center for british artjacob schnebbelie
Board Room of the Admiralty (Microcosm of London, plate 3), John Hill, 1 January 1808
augustus charles puginrudolph ackermann
Set of twelve: 4 Fox Huntings. 4 Stag Huntings. 4 Hare Huntings, James Seymour, circa 1750
engravings in the yale center for british artjames seymour
Plate 30: The Social Day, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Bacon Faced Fellows of Brazen Nose, Broke Loose, Thomas Rowlandson, 1811
satirical art worksromanticism
America a Prophecy copy a plate 14, William Blake
media from the william blake archiveromanticism,fairy painting
Masquerading, Thomas Rowlandson
satirical art worksromanticism
America a Prophecy copy a plate 11, William Blake
media from the william blake archiveromanticism,fairy painting
The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Man Struggling with an Ox, Giovanni Francesco Costa, circa 1747
etchings in the national gallery of art (washington, d.c.)giovanni francesco costa
The Delicate Investigation or Secrets of - Time Three o' Clock in the Morning!!!, Charles Williams, 1813
etchings in the yale center for british artcharles williams (caricaturist)
Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton, Thomas Rowlandson, 1801
aquatint prints in the yale center for british artromanticism
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
Alessandro Sanquirico - Luogo destinato ai Sepolcri dei re di Danimarca (set design for the opera 'Amleto' by Mercadante, 1822) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823
aquatint prints in the yale center for british artdaniel thomas egerton
A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Racing [set of four]: The High Mettled Racer. 3. The Hack, John Hassell, 1789
aquatint prints in the yale center for british artjohn hassell (artist)
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